Janhvi Kapoor knows how to count every look – powerful, personal and unforgettable. Especially when she is representing India on an international stage. How? By taking a piece of house not only in his heart, but also in his cupboard.

Currently, in the Toronto International Film Festival (TIFF) for his film Hombound, a touch of his centenary fashion and desi flare is unnatural for India. She is making a strong statement by hugging a Kashmiri silk dress up to an India -inspired arithmetic brocade dress.

Even at the beginning of his Cannes earlier this year, he celebrated India’s rich craftsmanship by wearing traditional organizations from Indian designers.

There is a quick look here when Janhvi Kapoor has seen Indian (or almost Indian) on the global stage.

An ode for Kashmir in TIFF

Style by Riya Kapoor, ‘Homebound’ actress wore a silk saree by Abu Jani Sandeep Khosla. Inherent in the timeless artistry of the Kashmiri heritage, Kapoor’s look complicated the stories as the valleys they come from the valleys.

The saree took inspiration from Jamwar, a Kashmiri cloth known for its vibrant colors and known for complex floral motifs such as Paesley.

Now, here is about her personal touch: Kapoor connected the saree with an ancient Jamwar shawl with her collection of Riya Kapoor. The shawl was decorated with hand -made silk silk tasles.

Interestingly, (and wisely), he also styled a vintage men’s Jamwar jacket since the 1980s, which himself was engraved and embroidered by AJSK. Even his sandal outfits were custom-made to complement.

You cannot remember the small details that tied the look together – Dejur did all the things. So far, you do not have to be a cultural expert to know their importance – Pop culture does this for you. But just in the case: Desur is a long, swinging jhalad, which is traditionally worn by married Kashmiri Pandit women. Yami Gautam married Aditya Dhar, who is from Kashmir, often shows his love for Dejur, styling it with everything from saree to blazer dress.

Traditionally, they are worn with a red thread, later replaced by a gold chain AttenuationThe gift was gifted by the bride’s in -laws when she enters her house. Meanwhile, Kapoor wore a contemporary chunky silver pair. And to close it, a custom-made Chabi Beautifully tied the look together.

His mini clutch was another custom piece inspired by Jamwar motifs.

For glam, he placed it with soft and dew with subtle contour, defined eyes and pink lips that allow the outfit to shine. A sleek middle-partered and a small black dot added the right traditional touch.

Archival Prada ‘Sari’?

Or her second tiff 2025 appearance, Kapoor wore a golden, saree-inspired Prada dress from the label’s 2004 collection. The Kolhapuri Chapel controversy was not the first time the Italian luxury brand referred to India – its rich textiles, silhouettes, and craftsmanship have long inspired international fashion houses.

Back to her outfit: She thrown out 24k magic in a golden silk strapless dress, reminiscent of a sari. The look was elevated with a built-in, semi-wisdom European-style corset and finished with a silk jacquard trench coat for the pair cunning.

This time, the Prada X Kolhapuri crossover was less on the dispute and more on pure fashion, Kapoor made a pair of dress with pencil heels inspired by Kolhapuri chappal.

For makeup, she opted to complete a softly with mascara, a flush of blush, and shiny naked lips. To elevate the look minimally, she wore studs with a template-wellery motifs.

Polka-dot gown

For the grand premiere of the film ‘Homebound’ directed by Neeraj Gaywan, starring Ishan Khatar and Vishal Jethwa, Kapoor chose a custom Miu Miu piece.

Polka dots always make a universal appeal – playful, vintage and modern at once. The actress’s one-grass gown came up with a follower drape, a ruined choli with floor-flamboyed trails.

Unconfirmed by the label so far, the Internet has already dubbed this look a sari-inspired gown!

By adding that emotional glow, he reduced a brooch reducing the look. How? It came from his aunt Sunita Kapoor’s jewelery collection. The monochromatic outfit found a drama with an impure-furry stole, meanwhile soft makeup and cascading waves fully completed the vintage mood.

Ear flashback

Even in ear 2025, she fuses heritage with high fashion-a pearl-garbor lehenga museum for Tarun Tahiliani in the set, a striking Anamika Khanna dressed for another look, and a sari-inspired silhouette from an international label.

Her pink corset and pleated skirts by Tahiliani, prepared from Banarasi-woven tissue, celebrated the structured silhouette and complex Indian craftsmanship, which makes her every modern Queen.

For the official screening in Cannes, Kapoor did not wear just one piece of Bespok Anamilla Khanna, she also made a statement with her jewelery. He styled a backchain accessory, mixed arithmetic Indian pieces with Custom Z and Jadau Creations.

Sculpture Choli and Mint-Green followed skirt added a humid touch in its modern-medium-traditional form.

The dripping saree look was pure apathy. While channeling Sridevi’s prestigious weight-sari moment from ‘Kate Nahi Kat Te’, Kapoor wore a re-prepared version through Di Peta’s signed weight-look glamor.

While the blue Chopard necklace brought a pop of color to the white palette, her naked glam reached the peak, still again!

take away

When it comes to dressing, Janhvi Kapoor always tries to make a deliberate option. Even for film promotion, he swears by method dressing. And when traveling internationally, her fashion heart is always from house to house.