In 2014, when Shashank Khatan worked together for ‘Humpty Sharma Ki Dulhania’ with Varun Dhawan, the actor-director pair made a pleasant surprise with a modern taking her modern on a DDLJ-Styled Romance. Now, more than a decade later, they have a strangely one dress and a title in a film that is quite mouthful-‘Tulsi Kumari of Sanskari’. Stating Varun Dhawan as Tulsi as Sunny and Janhvi Kapoor, the film also stars Sanya Malhotra and Rohit Saraf, which plays Parallel in the lead roles.

The religious template of the sequencing, low neck kurta, large fat sets, and exceptionally shot songs is back into full force. And this time, bets are high for Varun and Shashank, whose pair has done good work at the ticket window so far. Plot-wise, however, the film does not do anything new. The story of each other’s weddings crashing feels like an idea that has been toy in many Hollywood Rome-Coms.

Nevertheless, despite its lack of originality, the film finds a clever ways to make comic moments that feel very 2025-coded. In the era of every possible ‘ship’ – from the situation – the author weaves enough humor to keep things entertaining. A partial smart move picket and consists of social media stars such as the appointment Koli, who play for their own fandoms.

On the performance front, Varun Dhawan takes the most rest in the years. There is a certain similarity about it that resurves here, especially in Rome-Com Space. Their dance numbers increase energy, and their comic timing-particularly in the banquet with co-stars. Meanwhile, Janhvi feels slightly unstable in some sequences, often struggling to keep pace with Varun’s energy. Rohit Saraf and Sanya Malhotra injected the story with an additional dose of the drama, adding their own charm.

https://www.youtube.com/watch?v=9fud-d4fwjw

‘Sunny Sansari’s Tulsi Kumari’s strength lies in its writing, which are eyelids in the prestigious Bollywood moments, from a monologue of’ Chak Day ‘of SRK to a cheek for’ Mr. ‘. “Kate Nahin Katta” of India. The first half makes concrete and promises an equally strong payment. Unfortunately, the film stumbled in its final act, with a mob and irrational climax that reduces buildups.

Women’s toilets also have a strangely forced scene, where Sanya and Janhvi’s characters engage in a crack performance in their stomach and try to advance each other. Funny and unnecessary, this scene is to provoke laughter, but just felt a misfit.

The USP of Shashank Khith has always been funny dialogue, light humor and true romance. With ‘Sunny Sanskari …’, he re -presents his comfort field while trying to experiment. Many times, he sleeps; On others, he stumbles. The result is a film that entertains, attracts, and disappoints – sometimes at once.