Maa Inti Bangaram review: Guns, sickles, sarees and Samantha has it all
Maa Inti Bangaram Movie Review: Director Nandini Reddy’s Maa Inti Bangaram, starring Samantha Ruth Prabhu and Gulshan Devaiah, is a female-led commercial film with great action. It’s also a film that proves that women can headline an action drama and do it convincingly.
An orthodox family is preparing for a wedding. A couple who eloped three years ago have returned to family and their village in hopes of acceptance. The hero is worried whether everything will be fine. Meanwhile, the hero’s past begins to haunt the family. And the character, supported by a huge background score, is ready to risk his life to protect the family. Sounds like a typical commercial drama, doesn’t it? Now, imagine a woman wearing a saree, carrying guns, knives and sickles for her family. this is it Mother Inti Bangaram It’s about everything.
❮❯
Swarna (Samantha) and her ‘green jungle’ husband Anirudh (Diganth Manchale) reach their in-laws’ village to attend their sister-in-law’s wedding. The couple meets their families for the first time in three years after marrying against their parents’ wishes. In an attempt to gain the family’s acceptance, Swarna does everything to impress her new family.
Swarna is not your typical woman. She doesn’t know how to cook or read stanza While praying.. In simple words, she is not your ideal woman, leave alone a housewife. But, he is smart and cunning. She asks her childhood friend, with whom she grew up in an orphanage, to come to the village and cook for her so that she can make it her own. Swarna may not know everything, but she knows how to get things done.
But just when things start going her way, Swarna’s past starts coming back to haunt her and her family. She faces her fears to save her family, while also opening up to them about her past.
Director BV Nandini Reddy made the comparison during a promotional event. Mother Inti Bangaram to Rajinikanth Basha. And when we watch the film we find out why. One can draw parallels between both the films and find many similarities. Both films center on heroes who yearn for family, and whose past disrupts the peace of their families, ultimately culminating in them saving them.
Where? Mother Inti Bangaram Success lies in its presentation. For a long time, commercial cinema was about men pushing the narrative and emerging as role models. It is refreshing to see a woman taking charge of her life at home, facing the threats of a dangerous villain (Gulshan Devaiah) with such ease.
Samantha, who has tried her hand at action in her last few projects, has also taken a step forward in terms of stunts Mother Inti Bangaram. The action blocks are so brilliantly choreographed that every sequence will keep you glued to the screen and Samantha in awe.
Samantha, as Swarna, wants to live a life like most women who yearn for a family do. Imagine a joint family where a grandmother openly makes faces every time you don’t know something basic. And competition with a fellow sister-in-law, whom the family adores. And the whole set-up where women are pitted against each other. Swarna wants all this, but also wants the family to accept her as she is. It is a process and that process is well documented Mother Inti Bangaram.
The story written by Raj Nidimoru is generic at its best. The least we can say is that it is predictable and uninventive. However, where Mother Inti Bangaram Stands apart in its presentation. Samantha embodied Swarna like it was her second skin. Be it comedy, emotion or action, he mastered it and pushed himself further.
In an effort to promote Samantha’s character, the men in the film are given forgettable roles. They become his allies, which is a nice directorial touch. Take, for example, the role of her husband Anirudh (Diganth Manchale). He is a doctor, but he remains the same. While there were some redeemable lines in the character of the father-in-law, Anirudh or Swarna’s brother-in-law, who is a police officer, collapses under the weight of Samantha’s role.
Talking about the character of Gulshan Devaiah, he plays the role of an extremist who is often called a demon. Although his unpredictability is his major character trait, he also becomes the most predictable character in the film. Mother Inti Bangaram Also felt stretched beyond a point. Several scenes were created in the first part until the final act. But, the action blocks looked weak in the second half, as the payments were not as effective as promised.
Cinematographer Om Prakash’s frames captured the best of the village. Composer Santosh Narayanan’s music did its best in elevating Samantha’s gold, especially in the action sequences.
Mother Inti Bangaram Takes a simple story, but lets Samantha flip the script of a commercial drama that has been in the headlines for a long time, and has been thrashed to death by the male heroes.