Ekta Kapoor, who is known to give the Indian television industry some of the longest last -lasting shows, recently opened the audience’s response to Indian content. In a series of Instagram stories, the producer encouraged the content creators to keep their own money in filmmaking. He also discussed the failures of projects such as Superboy of Malegaon and Buckingham killings. read on!
Popular producer Ekta Kapoor recently slammed those who claim that Indian content is not equal to internationally acclaimed shows and films. On March 21, 2025, she took her to her Instagram stories and was surprised whether the reason behind this is “ego, anger, or just wrong allegations.”
In his post, he cited examples of films such as Superboy of Malegaon and Hansal Mehta’s The Buckingham Murdors, who did not work in theaters despite receiving positive reviews from critics. The creator of the crew expressed in his note that only the “real criminal” ie audiences can be blamed for this.
Ekta Kapoor’s Instagram post:
He further said, “Since it is not blaming people in such abstract words (social media cannot bring them down on NA, so there is no fun), let’s say that the major part of India is in its evolutionary stage as far as the material is concerned. You can say that it is in its teens.”
In his closing post, Kapoor urged the creators to fight the system saying that “these money is hungry, corporate studios and apps only think of money (involved) and numbers.” He also slammed studios and streaming platforms to treat entertainment like an industry. “Movie-making and content creation is not a business. This is an art,” he wrote, “I urge the creators to invest their money. The problem is solved!”
Talking about the international show is being loved by the Indian audience, on March 21, 2025, Alia Bhatt reviewed the Netflix series, adolescence on her social media handle. He launched his note saying that the show is “really perfection”.
Watch the review of Alia Bhatt of Teenage:
The National Award winning actress further said, “From writing to staging to extraordinary cinematography-I wonder how it felt, when one hour after an hour, after one hour of action-to make cut calls in the end … how did the whole artists and the crew feel ????”
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Also read: Exclusive: Ekta Kapoor’s initial response to Dibakar Banerjee to love sex and deception, ‘She wanted to make LSD2’
