Box Office: Ke Hu Quan’s love is a proper USD 20 million domestic finish for heads heads and is equally pen

Kh Hu Quan’s latest outing, love hurts, US has managed to post respectable numbers at the box office, despite receiving strict reviews from both critics and spectators, an estimated domestic total of an USD 21 million to USD 18 to USD. With. On 7 February 2025, the R-Retured Action Comedy released by Universal Pictures grossed US $ 12.3 million in its first ten days, marking a solid start. Its performance, with a slight 25.1% decline in its second three-day weekend, shows that it still has some living power, even though it does not live on important audiences.

Directed by Jonathan Yusbio at the beginning of his direction, Love Hurts told the story of a former Hitman -turned -Rialtar, who is forced to face his past when he discovers that his estranged brother is hunting him. The action comedy has an artist artist artist, including Quan, Ariana Deboz, Daniel Wu, Marshavan Lynch, Mustafa Shakir, Leo Tipton, Rice Darby, Andre Ericasen and Scene Estin.

Despite being labeled as a “pass”, Love Hurts is managing to maintain its position at the box office. In Valentine’s Day Weekend, the film grossed a decent USD 4.4 million, which is impressive. Despite being dismissed by critics, the film’s ability to maintain speed shows that there may still be hope for films that do not always meet the standards of critics. The next few days will be important in determining whether the film can kill the high end of its domestic forecast.

Meanwhile, other Valentine’s release, which performed well at the North American box office over the weekend, Captain America: Brave New World, Padington in Peru, Padington, Heart Eyes, and Bridget Jones: Mad of the Boy. While former has continued the first Avenger’s legacy with Anthony Mackie as a Titular Superhero in place of Chris Evans, the latter brings back the very reliable Bridget Jones for the audience. Padington in Peru, for its share, is also a franchise release, banking on the success of its predecessors.

Heart Eyes, the only standalone new release in the list, closed the audience with its slesters’ concept, which provides a clear form unlike the weekend’s love-theme atmosphere. The audience embraced the opposite.