Sayara: 7 questions we want to ask Mohit Suri after watching Ahaan-Aneet’s film
‘Sera’ hit a raga with the audience, earned Rs 150 crore at the box office. However, criticism is faced for the lack of originality of the film and unrealistic illustration of Alzheimer’s disease.
In short
- Siara earned Rs 150 crore by showing strong box office success
- The film includes debutant Ahaan Pandey and Aitit Padda in the lead roles.
- Critics mentioned strong equality to remember a moment for the Korean film
Last week, ‘Sera’ dressed like a timely love story, brought to emotionally, surprisingly cinematic, and intimate music. Specialized by Mohit Suri and the characteristic of debutant Ahaan Pandey and Aetit Dadda, the film fought in familiar romantic trops: Star-Cross Lovers, a tragic disease, and a love that refuses to fade. Still it is working – if the box office number and social media reactions do anything. Already with a 150 crore touching earnings, the producers are laughing their way for the bank, while the audience allegedly absorb in theaters – an audience also watched it with an IV drip.
But with the success of ‘Siarra’, peel the sentimentality, and start showing cracks. From the similarities of a famous Korean film (to remember a moment) to the forecast story and overgrowth melodrama, ‘Siara’ struggles to find its voice. Bhavna is real, but is it right? Honestly, it stumbles. Much time.
There is a close eye on those flaws that prevent ‘Serara’ back from becoming an unforgettable perfect love story. Mohit Suri, are you listening?
1. A moment to remember, or not?
A viral video did what the critics expected – this ‘Siarra’ and ‘A Moment to Remobble’ Side -Side, and, well, the analogy was not just supernatural, it was a border photocopy. A glimpse of Swoni, from actions, from the leads, from the tear-shouting moments, Deja Wu is real. Marketed as a original love story, ‘Siara’ turned out to be a well -packed remake, swaping with subtitles.
Many also realized that the subject was not well adapted to Indian context. Healthcare systems and social stigma around Alzheimer’s are quite different in India, but it was not well ascertained, which makes the subject a slightly distant feeling.
2. Dr. Logic, where are you?
Vaani (ANET PADDA) is being started in the early stages of Alzheimer’s at the age of 22, where ‘Sayara’ officially swaps the medical argument for melodrama. In real life, neurologists would say this extremely rare, almost unicorn-level rare. But in the world of ‘Siarra’, symptoms appear faster than the plot twist. For a moment she is singing love songs, the next she is wandering, is suffering from memory laps, only to remember her lover in climax. It is a fast-forward on Alzheimer’s, a diagnosis is defying science and the full Bollywood style is wrapped in drama.
3. Shine on trauma
While Seara brings Alzheimer’s to the center of his tragic love story, it barely stops to find out what really means to Vani, her family or anyone around it. There is very little talk of diagnosis, there is no mention of treatment plans, and careful is completely left to Krishna, lover. Because in true film fashion, her parents, after listening to life-transit news about their daughter, decide to leave her for a whole month with a delicate, delicate, guitar-shock lover after hearing a degenerative brain condition. like really? No consultant, no medical aid, just vibes and vague promises. The depiction of the medical condition and its effect on the surrounding people becomes a cinematic shortcut to obtain maximum tears with minimal research.
4. Savior Syndrome
Wani may be struggling with a memory -oriented disease, but he does not stop him from the emotionally protecting Krish – angry with daddy issues and zero direction, Angasty musician. He swoops in his chaotic life like a guardian angel. By calming her nature, encouraging her art, basically her support system, she depicts the Savior Syndrome in Love of Love. Instead of allowing the two characters to grow simultaneously, the tired trop of the film ‘Damaged Boy’ and ‘Good Girl Hu Hute takes her tired trops of her, only then rapidly changes the gears and shows it as a night in the Shining Armor. Do we want to tell our children, that your lover will save you?
5. Artists upset with real daddy issues
And no, the daddy issues we have mentioned are not only for dramatic nature; Krish Kapoor has a toxic, fluffy father (played by Varun Badola). Yes, his childhood was fat. But ‘Siara’ spreads that pain in a fully developed license for adult abuse. From getting rid of the fare living with his friends to throwing violent tantrums, including beating of a journalist for his review, Krish reduces a man and child with a ‘torture artist’ and a mike. Art does not justify the ego, and trauma does not excuse poisoning. This is high time Bollywood stops confusing the breakdown with depth and passion.
6. (United Nations) Band
Krishna is clearly a growing music star, but you will barely know it. He leaves a concert tour midway, no explanation, no real result (in fact, it would mean or at least a major PR crisis). The entire band feels like a subplot filler, with a slight depth or industry realism. Supporting characters, including their bandmate, exist only to connect brief stress and then disappear without effect. For a film inherent in love and ambition, ‘Siara’ considers everyone outside the central couple as disposable, and we need to ask the director why!
7. Need secrecy in love also
Love is about all connections, but not at the cost of consent. At one point, Krishna reads the individual diary and converts her most intimate ideas to her songs for her songs, even without informing her! It is ready as romantic, but in fact, is it? No, this is actually an invasion of privacy. In addition, instead of showing real emotional intimacy, the film depends on grand gestures, voiceover and swelling music to lift heavy. What is left about love today?
