‘Do Deewane Sehar Mein’ starring Siddhant Chaturvedi and Mrunal Thakur in the lead has collected Rs. 10 lakh on second Monday, registrations approx. 33 percent compared to last Friday. The decline is about 75 percent since the first Monday. He said, the film is now in its final stages at the box office.
Do Deewane Sahar Mein’s running low is Rs. Reached. Earned Rs 6.65 crore at the Indian box office. The film will now crawl from here towards its final goal. Based on current trends, the box office journey of the Siddhant Chaturvedi and Mrunal Thakur-led film is expected to reach Rs. But it is expected to end. 8 crore nett or so.
In the post-pandemic period, the business of such small/medium sized films has reduced considerably. Audiences now prefer to watch movies with no expectations only on digital platforms, as they now have enough patience to wait for 8 weeks. To save the dying business of small/medium sized films, producers need to break this patience and extend the OTT window by about 6 months.
The day wise box office collection of Do Deewane Sahar Mein is as follows:
| Day | box office |
| 1 | Rupee. 1.20 crore |
| 2 | Rupee. 1.45 crores |
| 3 | Rupee. 1.35 crore |
| 4 | Rupee. 0.60 crore |
| 5 | Rupee. 0.50 crore |
| 6 | Rupee. 0.40 crore |
| 7 | Rupee. 0.40 crore |
| 8 | Rupee. 0.15 crore |
| 9 | Rupee. 0.25 crore |
| 10 | Rupee. 0.25 crore |
| 11 | Rupee. 0.10 crore |
| Total | Rupee. 6.65 crores (estimated) |
For those unaware, Do Deewane Sehar Mein is a perfect love story of an imperfect couple. While one has problems with his pronunciation, the other is here to change the world. Despite a rocky start, they eventually fall in love with each other. Apart from the lead pair, the film also stars Ila Arun, Joy Sengupta, Ayesha Raza, Sandeepa Dhar, Naveen Kaushik and others.
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Disclaimer: Box office figures are compiled from various sources and our research. Figures may be approximate, and Pinkvilla makes no claims about the authenticity of the data. However, they are adequate indicators of the box-office performance of the respective films.
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