The Nazriya Nazim and Basil Joseph-starrer brings a fresh approach to the microscopic thriller genre, making it one of the more exciting films released recently. Directed by MC Jithin, the film explores the life of Priyadarshini (Nazriya Nazim), a small-town housewife who becomes suspicious of her neighbor Manuel (Basil Joseph) after her elderly mother goes missing. Unlike many thrillers that rely on clichéd police investigations, Microscope stands out by focusing on the protagonist’s personal investigation, maintaining an atmosphere of constant suspense.

The slow-burn tension of the film works in its favour, gradually drawing the audience into Priyadarshini’s world. Her curious nature, participation in local WhatsApp groups and growing obsession with Manuel’s mysterious life keeps the audience intrigued. The narrative does not rush to reveal its secrets, instead opting for a carefully constructed mystery that grows more intense with each passing moment. This deliberate pace is complemented by a strong sense of place and the depiction of small town life adds authenticity to the film while keeping it relevant.

Here is the trailer:

Nazriya Nazim’s performance as Priyadarshini is one of the highlights of the film. After a four-year break from Malayalam cinema, his comeback is marked by a deeply relatable character that is genuine, curious and determined. Basil Joseph, playing the mysterious Manuel, complements him perfectly, adding to the suspense of the film with their on-screen chemistry. Together, they make a charming pair whose performances add depth to the story.

Although the film is overall entertaining, it does have a few minor hiccups. Some of Priyadarshini’s motivations seem forced. While her curiosity is understandable, the parts surrounding her suspicions about Manuel seem somewhat underdeveloped. As a result, some of the actions seem more plot-driven than character-driven.

For example, her decision to break into Manuel’s house is an important step the character is taking. Throughout the story, Priya takes similar steps, driven primarily by her curiosity as a neighbor with little deep emotional connection to the situation. While her curiosity is understandable, these decisions feel more like plot devices than organic character choices. The lack of emotional basis in her motivations saps the tension, particularly in a tense sequence, where the action comes across as an overreaction to her curiosity rather than emotionally justifying the risks involved.

Additionally, as the film progresses, some of the twists seem a little more complicated, making the story seem more complicated than it needs to be. These narrative complications may put off some viewers, but they do not detract from the film’s overall appeal.

On the technical side, the microscope is excellent in its performance. Cristo Xavier’s atmospheric background score enhances the mood of the film, and Sharan Velayudhan Nair’s cinematography works wonders in maintaining the suspense of the film. Although the pace slows down at times, the second half of the film picks up the pace, ensuring that it remains engaging till the end. MC Jithin’s direction also deserves credit for maintaining a strong grip on the narrative, effectively building tension and keeping the audience engaged with the twists and turns of the story. Despite minor flaws in the plot, the technical aspects of the film elevate it, making it an entirely engaging thriller that holds its own within the genre.