Director Chandu Montheti rejected Naga Chaitanya and Sai Pallavi after his previous support in the love story. Thhandel is a emotional drama against the background of a struggling fishing community, inspired by real events. The film follows Raju (Naga Chaitanya), which is a fisherman, cumbersome with his clan’s legacy, and Satya (Sai ​​Pallavi), his childhood love that yearn for a life beyond the sea.

Their romance created in the years of longing and isolation is challenged, when duty calls Raju back into a trusted water, leading to a conflict that tests his love. When Raju and his crew are caught by Pakistani forces, there is a huge change in matters when the film’s accent is taken from romance to existence.

The first half is the place where Thhandel shines the most. Despite familiar trops, the love story remains attractive, roughly due to the spontaneous chemistry between Naga Chaitanya and Sai Pallavi. Tea seems to have found its sweet place in romantic plays, which has slipped with ease and attraction in Raju’s character. His change, especially his effort in Srikakulam (after a city in Andhra Pradesh) pronunciation, lends authenticity for the role. Sai Pallavi, as expected, yet gives another panoramic performance, making normal moments also impressive. Their presence increases the emotional depth of the film, and in many scenes, lift more weight than their silent expressions.

Thandel X Review: Internet Call Naga Chaitanya-Sai Pallavi movie e Must-Watch

However, the film struggles in its second half. The Pakistan gel sequence, although powerful in the concept, fails to pack the expected emotional punch from such a high-day scenario. Stress never reaches its peak, and patriotic ventures feel underdeveloped and convenient. Beyond romance, the film tries to find out the struggles of fishermen caught in border struggles, the struggle of women in these families and the risk in their jobs, but these aspects remain on the surface, remembering the opportunity for deep story We do.

The music of Goddess Shri Prasad is a major attraction, which has well -placed songs that increase the emotional heartbeat of the story. The background score is effective, but sometimes, forces emotions rather than flowing emotions naturally. Shamdat Sandeen’s cinematography is another strength, which captures the intestine moments of the sea and the love story with equally cleverness.

Here’s the trailer:

https://www.youtube.com/watch?v=-zxgbwcd_mk

While the film’s runtime is appropriate, the pessing issues, especially in the first half, feel some visual repetition. A tight screenplay and sharp editing may have increased experience. Chandu Mondetti’s direction works best in the romantic parts of the film, where he brings out the nuances of love, longing and isolation. However, when the film turns into a big struggle, the execution lacks the required intensity, which makes the emotional effect feel inconsistent.

Overall, Thandel is an emotionally -powered film with its heart at the right place. Strong performance by Naga Chaitanya and Sai Pallavi, combined with a developed soundtrack, makes it a meaningful watch. However, the struggle to maintain the emotional intensity of the film and the surface-level explorations of its broader themes prevent it from reaching its full potential.