The ace actor was shocked by the brutal torture scene, wondering how this was allowed?
Naveen Kaushik, who starred in Aditya Dhar’s Dhurandhar, shared his experience about the intense scenes and elaborate set designs. The actor reflected on the realism and scale of the production and some of the film’s violent scenes.

Actor Naveen Kaushik, who plays Donga, one of Rehman dacoit’s henchmen, talks about his experience working in the Aditya Dhar directorial. stalwartThe film has attracted attention both because of its success at the box office and because of the way it filmed scenes set in Pakistan, A violent scene, in which Arjun Rampal’s Major Iqbal is torturing an Indian spy with a fish hook all over his body, created a buzz online,
Kaushik recalled his reaction to the violent scenes, especially the torture scene. he told absolutely filmy“I mean, I read the script, but I wasn’t there during the entire shoot. But when you finally see what they’ve created – like the 26/11 scene or when Arjun Rampal’s character tells Hamza that they know there’s a spy within them – that scene is hair-raising. The torture scene that comes after that – I mean, I just thought, ‘‘This permission has been granted’ (It got permission)? That scene is crazy.”
Seeing the final product, Kaushik was amazed at what it brought to the screen. The level of realism and depiction of violence in these scenes made a significant impression on him. According to Kaushik, the team’s creative decisions and execution brought authenticity to the story, which he found both shocking and captivating.
Speaking further about the project, Kaushik questioned whether the director and his team would be able to achieve the vision they had started with. He said, “Aditya narrated most of the film to me and I thought it was a good story, but would they be able to carry it forward? When we were shooting in Bangkok, they had recreated Lyari there. 8 blocks were transformed into Pakistan with all the shops, houses and streets. That’s when I realized that the scale of the film is huge.”
The actor, who is seen close to Danish Pandor’s Uzair Baloch and Ranveer’s Hamza in the film, revealed how the production team Made a part of Bangkok look like LyariAn area of Pakistan. The transformation included detailed replication of buildings, streets and everyday surroundings. While observing these efforts, the actor noted the sheer scale and level of detail in the film’s production design.
He continued, “I mean, they were using real houses that people could live in. They told me that the crew lives in those houses when they’re not shooting. People were living on the set, and they could change whatever they wanted for the movie. For 40 days it was like a real township. There was a restaurant and different houses that were dedicated to the costume, makeup, and action teams. That’s when I said, ‘The scale of this film is different‘ (The scale of this film is something different).”
Kaushik described the set as a working township during shooting, with the cast and crew living on location, and various facilities dedicated to costume, make-up, and action departments. He explained that this approach allowed the team to become fully immersed in the environment required for the story, strengthening their perception of the film’s ambitious scope.
film, a vanity Team of artists including Ranveer SinghThe film, starring Akshaye Khanna, Arjun Rampal, R Madhavan, Sara Arjun, Sanjay Dutt and Naveen Kaushik himself, has been widely talked about for its intense scenes and ambitious set designs.
stalwart Intricate storytelling merges with massive production values. The attention to detail in recreating the settings and the actors’ experiences on set have contributed to the ongoing conversation surrounding the film’s execution and impact.