Sardaar Ji 3 Box Office: Diljit Starer Wors With Big Ownes Opection, Breaks Record in Pakistan but …

Sardaar Ji 3 made a spectacular opening of about 2.10 million (Rs 18 crore) USD during its three -day weekend, which was USD 2.10 million (Rs 18 crore). Threquel starring Diljit Dosanj made the second largest international debut for the Punjabi film, which was only behind his Jat and Juliet 3.

The film is a Pakistani actress, Hania Aamir, due to which she was to be released in India. While this casting option has promoted backlash within India, it has increased the appeal of the film abroad in Pakistan and Pakistani migrants. The film grossed PKR 12.75 crore (USD 450K) from only 45 places in Pakistan, set a new record for 3-day perpendicular by an Indian film in the country, crossing the Sultan (PKR 11.10 crore).

Performance in the two largest markets for Punjabi films, Canada and Australia was slightly lower, with the number of weekends to land in Jat and Juliet 3 in about half. This deficiency can be attributed to the mixture of factors. For one, pre-immunity marketing, a strategic step is likely to avoid attracting attention to casting. Other one to show the other obstacles, especially in Australia, where most of the prominent locations moved on or near the capacity. This will lead to spillover trade in the week of the week, as reflected by strong progress for Mondays.

In other places, the United States and the United Kingdom were close to Jat and Juliet 3, while in the Middle East, the film almost matched the number of lifespan of Jat and Juliet. When real comes, it may probably end. Here, it is a Pakistani migrant who is the leading audience for Punjabi films.

Sardaar Ji 3 The regional breakdown for the foreign box office is as follows:

With these early numbers, a USD 5 million plus lifespan looks confident, it depends on how it set foot in Pakistan, it can be too much. Jat and Juliet 3 are the highest -grossing Punjabi film abroad with USD 7.35 million, which will be difficult to defeat, but has not been rejected yet.

Despite remembering the domestic release, it will probably be seen abroad, but the loss of the domestic market is not only a dramatic but potentially non-drainage, a major setback. It is a completely shock for the film only for the film but also for the Punjabi film industry, which is struggling on the domestic front. Sardar G3 was seen as a possible shot for the industry … regret.

It does not stop here. This year’s other big release trick was Mera Put 4, which also has a dress of Pakistani artists. It does not seem that the film will be released this year, not at least in India. Chal Meri Put was the film that took the cooperation between East and West Punjab, a step that expanded the foreign appeal of Punjabi cinema.

Since, almost every major Punjabi release depicted West Punjabi talent. Even during the politically stressful period, Punjabi films continued to release in Pakistan. Till now, cross -border cooperation was a property. But if working with Pakistani artists now is to renounce the Indian market, then the industry finds itself at an important intersection in decision making.