Balancing Rajinikanth’s stardom and story: Cool director Lokesh Kanagaraja’s big test
‘Cooli’ is not just a gift for Rajinikanth’s 50th year celebration, it is the boldest gambling of director Lokesh Kanagarj, which balances superstar Swagger, weight dress, and a possible scientist-fi twist in a saturated gangster style.

In short
- Rajinikanth worked with Lokesh Kanagarj for ‘Coolie’ to mark his 50th year in cinema
- The trailer has given Split opinion, fans have debated its grounded tone vs ‘Rajni Panch’
- Lokesh faces the challenge of using each star meaningfully, and provides freshness in a saturated style
In Tamil cinema, very few collaborations have created more conspiracy as Rajinikanth’s ‘Coolie’. This is not just another big ticket release. It marks the 50th year of superstar in films and is associated with filmmaker Lokesh Kanagarj, who re -shaped the action style for this era. Nagarjuna, Satyaraj, Aamir Khan, Upendra, Saubin Shahir and Shruti Haasan and add a cloth on paper, it reads like a guaranteed blockbuster.
But history has shown that a stellar cast does not make a great film alone. The trailer has burnt social media, and the nonsense is already about whether it can exclude ‘War 2’ at the box office or become the first Kollywood film to cross a mark of Rs 1,000 crore. But there are more important questions around this film-the biggest one is whether Lokesh can lose the story of his trademark morally gray world, layered gangsters, and taut, a star in a Rajinikanth spectacle, which without losing the essence of the big-to-life collective appeal of the star.
The Balancing Act: Stars and Matter
One of the biggest disadvantages of Pan-India and multi-starrer films is the weakening of stars. We have seen that it happens in industries: ‘Pushpa’ films Fahd Fasil, Bobby Deol in many post-Animal roles, Sanjay Dutt after ‘KGF’, and other examples in ‘Petta’ Nawazuddin Siddiqui.
On the other hand, there are films where every performance, some brief appearances, barely landed. Starting with Junior NTR and Ram Charan in ‘RRR’, Rana Daggubati ‘Bahubali’ has many such influential roles to Shiv Rajkumar and Mohanlal in ‘Jailor’ and in Prithviraj in ‘Salar’.
Lokesh himself has already managed this balance: Vijay Sethupathi in ‘Master’, Suriya and Fahd Fasil in ‘Vikram’. They were not just as part of artists for Star Power or Box Office Bridge; He was systematically integrated into the story.
With ‘Coolie’, bets are more. It is not only about the stars, it is about the stars who are also a strong actor, and whose fanbase expects both valor and meat in their roles. Nagarjuna is playing the role of a counterpart, a bold step, given the decades of image-building as a family hero. Upendra, Aamir Khan, and the rest of the artists bring each specific audience goods. Lokesh’s challenge is not only to give them screen time, this is to make them fit in their gray, gritty world without diluting the story or fan service.
Fold a science-fi in shade?
The ‘Coolie’ trailer indicates something beyond the typical gangster drama. We are seeing that Satyaraj’s character is a strange contraceptive, working on a short special chair, using in an empty swimming pool, Shruti Haasan Moving Bodies, and most complicated, many glimpses that look like Tesla Coil.
In cinema, Tesla Coil often indicates high-voltage experiments, time travel, or other science-fi concepts. Can ‘Coolie’ fuse science-fi in a gangster drama? This is a adventurous step. Tamil cinema has previously dubbed with such blends. ‘Mark Antony’ mixed time travel gangsters, ‘Mandu’ built a political thriller based on a time-loop. While ‘Mark Antony’ overshadowed the comedy and entertainment, ‘Mandu’ was a political drama and thriller. ‘Cooli’ promises to be more severe, more intense, and it creates more risk.
Lokesh has a craft for this. Taking deal with Amar’s investigation in ‘Vikram’ suggests that he can conspire in large -scale cinema and do justice to the story and stardom. But there is a need to merge a dark gangster tone with science-fi. If it works, it can be a game-shineer. If not, it risk feeling dissatisfied.
Rajinikanth factor
‘Cool’s trailer has drawn mixed reactions, some fans welcome its grounded tone, while others mourn the absence of’ Rajni Panch ‘. This is the eternal dilemma with large stars: many viewers, especially fans, do not reach with a checklist much often. Kamal Haasan’s films are expected to give layered character and technical cleverness; Rajinikanth films, style, swagger and those electric ‘mass’ moments.
Lokesh has previously drove this line. In ‘Vikram’, Kamal was barely present in the first half, yet the story lifted weight, not just the star. In ‘Master’ and ‘Leo’, however, the Balancing Act collapsed, a dip in generic beats to accommodate the star appeal with other parts.
https://www.youtube.com/watch?v=y5Bwewdodpqo
Nelson’s ‘jailer’ proved that experimenting with Rajinikanth could still make gold. In fact, the experiments for superstars are not new, from the ‘Thron’ science-fi spectacle more understood roles. But mixed reception for ‘Vettyian’, which struggled to balance the emotion and collective appeal, is a reminder that it is always a criterion for a criterion, a one who is heavy on the director’s sentence.
Find freshness in a saturated style
Gangster action drama has been dominating Indian cinema for a decade, which has films to be made ‘KGF’, ‘Pushpa’, ‘RRR’, ‘Salaar’, ‘Kalki 2898 AD’, ‘Animal’. But it is undisputed that the style is now saturated, and recurrence is its largest enemy. Lokesh once broke the mold with ‘Kathy’ and ‘Vikram’. But with ‘Leo’, he faced criticism for a brilliant first half, which gave another formula to second half.
https://www.youtube.com/watch?v=qevft2iliu0000
For ‘Coolie’, the challenge is not only to avoid the same trap, but to pursue the style. Indicated science-fi angle, gold smuggling subplot, multi-star dress-all of these can give a fresh texture to the film. If the second half is as hard as before, Lokesh can deliver more than just a commercial hit; He can give a real style reinforcement.
Waiting for a storm
Tamil cinema is longing for a large-star commercial entertainer who works both severe and commercially. In recent years, the reliable “mass” film has become unexpected, only with unconventional hits like ‘Amaran’ and ‘Maharaja’ exciting audience.
With ‘Coolie’, the stage is set. The star is in its most experimental in years. The director is at an intersection, eager to bounce back from mixed responses to ‘Leo’. The dress is piled up with talent, not only the name. And the promise, whispering visual clues, in his interviews by Lokesh, in the trailer undercontinent, it will not be just another gangster flick.
If Lokesh plays it safely, ‘Cool’ will still be a hit. But if he indicates the trailer calculated the risks, we can be a rare witness to things in Indian cinema: a film that satisfies the audience on a large scale, stimulates critics, and new to style.