The show was opened with a model, which was dropping the ramp down in a luxurious golden heart -shaped dress, a gold water mounted and a fiery fiery building adorned with 3D accents. More than 30 appears later, another model shut down the show in a similar -style heart -shaped dress, this time in a striking black color.

This, with 30-plus looks in the middle, was marked as a couture interpretation of Indian fashion designer Rahul Mishra’s love of love as she performed collections at Paris Haute Couture Week on 7 July.

Master Coturier, is now a global fashion sensation, brought to life of the seven -phase Sufi concept of love: attraction, violations, surrender, reverence, devotion, passion and finally, death, death, through their dreaming works.

At the Center of his fourth collection showcase at the Paris Haute Coucher Week, the famous work of the artist Gustav Climt was. Mishra has always been transferred from the work of a late famous Austrian painter – the way he depicted women, softness and intimacy.

Mishra said, “The most killed I was rarely looked out of canvas. Vogue india Next to the show.

The designer worked on several organizations with KLIMT functions, such as using traditional techniques such as Jordoji, Threadwork and Dabka. More than 2,000 artisans were taken to work on the collection.

The opening look, a golden heart dress, represented the feeling of attraction, such as with a shining details through the enthusiastic veins – when a person feels attracted to someone, how does the heart start beating faster. The sculpture 3D was also part of the spirit performance exiting a heavy sequin corset with 3D red roses.

Subsequently, Mishra showed the second phase of love, using a fabric with a fabric characterized by a random fabric of flowers associated with a random form.

The third phase of love, surrender, changed the palette to the minimum yet deeply replaced. In this phase of love, “Mishra in an Instagram video says” is “an exposed and protected.” “He expressed this message using the transparency of Organa with pearls, and white and golden sequins.

Mishra’s Shraddha inspired heavy inspiration from the Gustav Climt, which puts the dramatic and heavy shiny pieces in black. Subsequently, Bhakti took the center phase through Ivory and Golden Encycles, in which lotus was used as a symbol of emotion.

The show came into the full cycle with black pieces – some of them boasted the same silhouette, shown in red colors at the beginning of the show.

On one hand, the variety of love of love, Mishra’s silhouette was also notable. Practical numbers for high-fashion from detailed red carpet gowns such as corsets, pants, blazers and slip dresses- Love is falling All this is shown in the collection.

The show was also stolen, it was that the headgier, dramatically, supplemented the art-like sartorial works of Rahul Mishra. The Swapnil headgier was equally courtesy of the legendary miller Stephen Jones. Mishra collaborated with him for the first time. Jones was the millinar of Princess Diana and has also designed a headgier for coucher brands such as Thom Brown and Dyer.