Does a simple Bollywood film rise above the average? Probably a bit of intelligent acting. A story that is universally relevant. And perhaps a fearless treatment of that story. Lvavapa, which looks like a regular Hindi romantic drama on its surface, has everything that makes it a formula. But, this is not just that.

Junaid Khan and Khushi Kapoor’s big screen debut, Lvavapa, is a surprising film. Under all its colors and bizarreness is a thoughtful story that is as reliable as it can be found. About a fluorescent bulb that can only be a spark, a thing hanging from the outside, but can be filled with heat from inside.

Gaurav Sachdeva alias Gucci (Junaid) and Bani (Khushi) love each other. But, as they try to take their relationship to the next level, the idea of ​​their love and faith is challenged by Atul Kumar Sharma (Ashutosh Rana), Bani’s sitar-playing, Pure Hindi -speaking, idealistic father. In an attempt to test their feelings for each other, he asks them to exchange their cell phones. And the hell breaks loose.

Soon, the two discovered each other’s secret chat, unknown social media accounts and the deepest conversation with them, which probably only appears on someone’s phone. They do not take a long time to find out that they cannot be as transparent for each other as they are claiming. Thus drama is an unexpected mixture of laughter, satire, and none of the questions of questions have an answer.

It is difficult to see Lavavapa without thinking about the privileged background that both Junaid, Aamir Khan’s son, and Khushi, Boney Kapoor-Sriidevi’s daughter, both come from both. The kind of access, experience, and financial support they continue to enjoy both, they are expected to give better than the rest of the newcomers in Bollywood. In this Advaita sandalwood-directional, at least Junaid has understood homework.

In that, you can see a good actor-in-making. His training of years, and the theater experience is clearly shining. Especially in scenes when he is holding the fort alone. At the age of 31, he looks like a full package of romance and comedy-something that has forgotten to receive many star-kids on screen because big-to-life action came into fashion.

The actor has received a clear dictionary. Their dialogues are easily, full and ground on your ears. He neither holds that strange general-Z pronunciation, nor does he run to end the monologue. The way Junaid has his screen appearance, there is a sense of patience. He attracts your attention and performs an impressive performance. While living in Maharaj, his performance looked like a stage-play, in Lavavpa, at the Junaid point. In fact, in more than one scene, he is acting for two.

Khushi, who was first seen in Archies on Netflix, continues to disappoint. The girl has received a lot to work. And when we are on it, let’s just discuss how it makes Hindi sound so bad. As Bani, a 24 -year -old looks like a regular Indian girl. However, it has nothing to do with his performance. Thank you more for the way he is styled in his careful chickenkeri. KurtisWhile she feels that she has set a long way to Archies, she is sure that there is still a long way to cover. In fact, while trying to become a better actor, it would be a good practice for him to list your own follows, because it would be a shame to discuss his skills without any sound.

Together, however, Junaid and Khushi made Lvavpa a cute watch on the screen. It is a film for the generation that lives through social media rules. Like a post, there is a verification in real life, and everything is just happy or very happy, or it does not exist. Sneha Desai, the author of Laapata Ladies’s fame, tries to simplify the life of the social media generation by giving easy solutions to their problems.

In a thoughtful dialogue, Ashutosh’s Atul Bani explains the repair, Not Not Replace ‘ – a clear comment on how the generation is demanding quick improvement for everything – at work, for relationships, for relationships, within the family , And among friends.

https://www.youtube.com/watch?v=S2SV3GAMEXW

There is something relevant to say in all the characters of Loveyapa. There are no filler. Each story is a valuable additional. Comedian Kiku Sharda is a pleasure to see as a good-hearted dentist, Anupum, who has received a trophy-wife-wife Parlicar as the sister of Kiran Sachdeva, Gucci. Even Grusha Kapoor looks easily confident as Gucci’s bold, no-beloved mother, who to be in a fully committed relationship with her phone, to scold her son every time in front of everyone I never hesitate. Gucci’s banquet with his mother makes Lavavpa an ideal comedy watch.

The message in Loveyapa is clear – compatible with new methods, but not a victim of its shortcomings. The film is a direct thing on the entire generation which is largely suffering from social media manipulation, learning gas-light, and accepting ‘deep fake’ as a means of entertainment. But, like any good cinema, it stops you and thinks. Neither the subject nor its treatment warrant strict comment here. There are no dark places here which are in dire need to burn. Rather it is a gray field that should be seen and painted with the idea of ​​the colors of the youth, their aspirations, ambitions and love – independent and amazing.

Loveyapa is an important film for this generation. Not only is it worth a chance on the big screen, it is also eligible to talk. If not for anything else, for his good intentions.