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PratapDarpan > Blog > Entertainment > Dhai Kilo Ka Haath and Hand Pumps: Sunny Deol hit the age of age in 67
Entertainment

Dhai Kilo Ka Haath and Hand Pumps: Sunny Deol hit the age of age in 67

PratapDarpan
Last updated: 22 April 2025 14:00
PratapDarpan
2 months ago
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Dhai Kilo Ka Haath and Hand Pumps: Sunny Deol hit the age of age in 67
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Dhai Kilo Ka Haath and Hand Pumps: Sunny Deol hit the age of age in 67Bollywood’s OG Sunny Deol is back with another Bangar, ‘Jat’. In an era where the action stunt is more about the green screen than the grit, the Deol storm in 67 with ‘Jat’ reminds everyone what the real action looks.

Dhai Kilo Ka Haath and Hand Pumps: Sunny Deol hit the age of age in 67

Bollywood’s OG Sunny Deol is back with another Bangar, ‘Jat’. In an era where the action stunt is more about the green screen than the grit, the Deol storm in 67 with ‘Jat’ reminds everyone what the real action looks.

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Sunny Deol in 'Jat'.
Sunny Deol in ‘Jat’. (Credit: India Aaj/Vani Gupta by Generic AI)

‘Edge is Just a number’ and the same actor Sunny Deol reinforced his latest release ‘Jait’ through his high-octane action sequence. Forget the hand pump, the actor used a huge roof fan to kill his enemies in his latest outing. While the industry was busy chasing six-packs ABS and VFX-water stunts, the actor came swinging, flying in the fist, nose flare, and every punch load, pure deol style.

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At the age of 67, the person who has given us the iconic ‘Dhai Kuch Hath’ Panch has come back.,Not only to break the goons, but also to break the stereotypes. In the film directed by Gopichand Malinani, the actor does not just play the role of a hard army person with Swagger, he also performs his own high-octane stunts.

Through the gritty background, from hand-by-hand fighter scenes to high-octane, the actor took action that was seen in raw, real and fresh old school.

Sunny, with strong slavery like Randeep Hooda, pulls stunts like a supporter, with her ‘scary’ antics.

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A post shared by Mythri filmmakers (@Mythriofficial)

Director Gopichand especially told India Today Digital that Deol had completely ‘surrendered’ in front of the team and followed every instruction with full dedication.

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“While shooting ‘Jat’ with Sunny Sir and The Action Master – who has already worked with me – already had a great synergy and time. They knew what I really wanted. When Sunny Sir was on the set, I explained the action scenes, and he really adapted. He did more than 70 films, and yet he said what he heard and followed.

“In a special scene before the gap, the cigarette scene, I also asked him,” Is it okay, sir? ” And told him that it will work.

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Post shared by Sunny Deol

From breaking the goons with barbell rods to stopping a fast jeep with one hand, ‘Jat’ is filled with many fan-psandida moments that will leave you thrilled and stick to your seats.

But Deol’s feat is part of a large cinematic movement where age is just a number, and our favorite stars are giving young actors a serious run for their protein shake.

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Like Deol, Shah Rukh Khan, in 58, closed a new action phase with ‘Pathan’, And ‘Jawan’, where he not only hoisted eight-packs ABS, but also executed slick stunts, which would also sweat experienced action stars.

When it comes to the action that leaves the jaw, Akshay Kumar’s name is at the top of the list. Whether it is swinging from helicopters, jumping from roofs, or pulling acute gun sequences, it is all classic renewable style. At the age of 57, the actor still never shies out of doing his stunts and continues to give them ace like a supporter.

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Post shared by Akshay Kumar (@akshaykumar)

While we still cannot go to his swag, another name that reminds us of the staler action stunt is Ajay Devgan. Starting with his aura in ‘Singham’ to flip cars with his aura, Ajay has engraved a niche for himself as the king of intense, ground action. Their breaching screen appearance, jointly with the desire to do high -risk stunts, adds a raw, gritty edge to their roles that fans cannot get enough.

Therefore, we can clearly say that Sunny Dole’s action is not about fancy choreography or smooth editing, it is more about intensity and authenticity. This is the kind of audience that makes the audience feel the weight of his punch, listens to the silence before the storm, and when he says in the end, he is happy, ‘This ten kilo hath jab is a place of Padta Hai, Admi Uthta Nahi, Commerce comes up’.

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