Chhawa is based in the success of its blockbuster dramatic run. Starring Vicky Kaushal, the historic actioner has performed exceptionally at the box office for more than two weeks. On the basis of Chhatrapati Sambhaji Maharaj, Chhawi is becoming super strong in its third week.
Chhawa records Rs 8 crore on the third Saturday; So far collects less than Rs 450 crore
Directed by Laxman Utekar, Chhawa has dominated the box office with its performance since its release. It has ended the emerging release as the top artist of February. 18 days, Chha has collected a net of Rs 8 crore in India, which has earned its earnings to Rs 446.5 crore. It will cross the mark of Rs 450 crore tomorrow.
Chhawa started his journey with Rs 209 crore in the initial week. It collected Rs 171 crore in the second week. Historical actionrs have received Rs 66.5 crore so far in their third week.
The day-wise collections of Chha are as follows:
| Week/day | Net India Box Office |
|---|---|
| week 1 | 209 crores rupees |
| Week 2 | 171 crore rupees |
| Day 15 | 13 crores |
| Day 16 | 22 crores rupees |
| Day 17 | 23.5 crore rupees |
| Day 18 | 8 crores |
| Total | Rs 446.5 Ten million |
The best husband’s wife and more; To compete with Alexander on Eid
Chhava has improved only films like husband’s bavi, Crosea and Superboy of Malegaon at the box office in three weeks. With his performance, Vicky Kaushal-Hedeller will be well in his fourth week and further.
Alexander is expected to maintain a good grip until the arrival of Alexander on Eid 2025. It can be seen till now how it will perform when competing with Salman Khan-Starrer.
Priced in cinema
You are running in theaters. Have you booked tickets for Vicky Kaushal and Rashyaka Mandanna-Starrer so far? Tell us in the comment section. Stay on Pinkvilla for more updates.
Disclaimer: Box office figures are compiled by various sources and our research. The figures may be estimated, and no one claims about the authenticity of pinkvilla data. However, they are sufficiently indications of box-office performance of films under consideration.
