Love Insurance Company review: A rom-com that entertains more than reassures
Love Insurance Company Movie Review: Director Vignesh Shivan’s Love Insurance Company aka LIK, starring Pradeep Ranganathan, Kriti Shetty and SJ Surya, is a fun rom-com set in a futuristic world. The film explores the consequences of handing over control of your life to apps.

Release date: April 10, 2026
Imagine Chennai in 2040, transformed into a bustling metropolis resembling Times Square on its busiest day. Monorails cross the horizon, government hospitals look like high-tech laboratories, and drones deliver goods in a hyperconnected city. This is the world that Vignesh Shivan creates Love Insurance CompanyDepicting a technologically advanced but emotionally distant society dominated by apps, specifically an app called Love Insurance Company, which is led by the mysterious Suriyan.
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Vibe Vaisi (Pradeep Ranganathan) is the voice behind the LIK app but he lives without a phone. His father, Ambukadal (Seeman), runs an organic commune where the harshest punishment is life without a phone. Vasi meets a young woman named Dhimmi (Kriti Shetty) whose every decision depends on the LIK app and he instantly falls in love. Their opposing viewpoints – Vasi’s reliance on human interaction versus Dhimma’s trust in algorithms – set up the central conflict as Suriyan’s app begins to dictate their relationship.
Director Vignesh Shivan is commendable for his world-building and exploration of human emotion versus technology. The first half carefully establishes the influence of the LIK app and its control through social recognition, requiring patience before the narrative picks up pace. Once engaged, the story develops in a well-rounded arc, although the pacing sometimes feels dragged out.
Each character’s backstory explains their relationship with technology and love, which contributes to the emotional core of the film. Dheema’s story is particularly effective, highlighting his mother and her addiction to social media. So much so that she gestures slowly as if she is typing even when she doesn’t have a phone. This description presents the film’s themes more intensely than the dialogue. However, some of the background stories feel familiar, which reduces their emotional impact, adding depth without fully engaging the audience.
The film reaches its climax when the app begins to actively control the characters’ love lives. Here, Shivan’s writing is confident, integrating pop culture references while focusing on human emotions. Still, the film relies heavily on the message that technology is problematic. While the specific dangers of the LIK app are clearly portrayed, broad, repetitive warnings about the technology sometimes weaken the impact of the narrative.
The performances are central to the film and are mostly effective. Pradeep Ranganathan’s trademark quirks are present, but toned down compared to his previous productions, reflecting a mature actor. His interaction with SJ Surya’s Sooriyaan is the highlight, with SJ Surya giving an impressive, witty and magnetic performance. Kriti Shetty has effectively portrayed Dheeme’s struggle to trust others due to his dependence on technology. Seeman’s self-aware role allows for self-deprecating humour, which he uses well. Unfortunately, the supporting cast, including Gauri Kishan, has limited material to make a significant impact.
The production design is notable for its boldness and creativity considering the film’s budget, presenting a colorful and visually distinct world. Anirudh Ravichander’s music adds to the experience with songs like Anacenna Yarum Ilaye To stand out, especially in a theater setting.
Love Insurance Company is a flawed but genuinely entertaining romantic comedy that reflects a society increasingly shaped by technology. Although it emphasizes the importance of human communication, it stops short of advocating a balanced approach. Its message sometimes overpowers the storytelling, but while it succeeds, it showcases Vignesh Shivan’s writing instincts and strong performances from Pradeep Ranganathan and SJ Suryah, who carry the film with considerable charm.


