Danny Boyle used 20 iPhones to do an action scene after 28 years

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Danny Boyle used 20 iPhones to do an action scene after 28 years

Danny Boyle used 20 iPhones to do an action scene after 28 years

Director Danny Boyle has returned to the world of the corpse after 28 years, the latest installment in the franchise which started after 28 days in 2002. He recently talked about the film production process, which said how far the mobile camera technology is-and when it is used creatively it can be how useful it can be.

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Danny Boyle used 20 iPhones to do an action scene after 28 years
Image Credit: Sony

In short

  • Boyle revealed that he used more than 20 iPhones to shoot some action scenes of the film
  • This idea came from the need to keep things lighter and mobile
  • The result is a gritty, immersive visual style that is raw as modern

Director Danny Boyle has returned to the world of the corpse after 28 years, the latest installment in a franchise that begins after 28 days in 2002. But this time, this is not just a story that has developed-it is also how the film was made. Boyle revealed that he used more than 20 iPhones to shoot some action scenes of the film. The director says that this idea comes from the need to keep things lighter and mobile, especially for scenes filmed in remote places. The result is a gritty, immersive visual style that is as modern as it is raw.

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Boyle recently talked to both Roots And Mashable Regarding the process of filmmaking, how far it is – how far the mobile camera technology is – and how useful it can be when used creatively. “Smartphone, they will now shoot at 4K resolution, which is cinema resolution. So you can use them,” Boyle said Roots“They are incredibly light. You can go somewhere with a very light footprint and you can also make special rigs with them, which we did for some violent action in the film.”

These particularly designed rigs consisted of 20 iPhone 15 Pro Max devices, arranged to shoot “bullet time” style sequences-also known as a matrix effect or time-bliss, a filming technique that allows you to freeze and spin around fast-growing scenes. The shooting in this style gives the film a dynamic edge without a large -scale camera setup or the need for complex logistics. According to Boyle, this approach made it easy to shoot in a challenging environment while maintaining cinematic quality. He said, “He allowed us to visit remote places in Britain with a very light footprint,” he said Mashable.

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Actor Aaron Taylor-Johnson, who starred in the film with Jodi Comer, Ralph Fynenes and Alfi Williams, said Vidhi said a deep layer in production. “It will make me feel a bit insecure many times because it is very aggressive,” he said, “How the iPhone Rigs created an up-close, intestinal experience during filming.

28 years later arises after a long time after the events of original films, with a story a boy and his father left an island community to face Murray on the mainland. The film written by Alex Garland – which also gave a new trilogy to Mool – with the second part, 28 years later: The Bone Temple, is expected to be released in January.

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